The (Im)possibility of True Self Formation in Vladimir Nabokov and David Albahari's Novels

[M. R. Luković]

624 lisa

U disertaciji (Ne)mogućnost uspostavljanja istine sopstva u romanima Vladimira Nabokova i Davida Albaharija primenom analitičko-sintetičke, pseudokomparativne, (Žak Lakanove) psihoanalitičke metode, razmatraju se idejno-tematski algoritmi američkih romana Vladimira Nabokova: Bleda vatra, Stvarni život Sebastijana Najta, Pogledaj Arlekine!, Prozirne stvari i romana Davida Albaharija: Pijavice, Cink, Snežni čovek, Mamac koje nauka o književnosti do nastanka ove doktorske disertacije, označene u okviru samog ovog zapisa kao interpretativni iskaz, nije u književno-teorijskom diskursu razmatrala u (lakanovskom) algoritamskom interpretativnom kôdu. Sopstva i istine junaka američkih romana Vladimira Nabokova: Bleda vatra, Stvarni život Sebastijana Najta, Pogledaj Arlekine! i Prozirne stvari interpretativno se razmatraju za svaki roman ponaosob jer svaki od Nabokovljevih junaka, pripovedača postoji u mnoštvu različitih lakanovskih funkcija identiteta u zavisnosti od postavljenog (lakanovskog) algoritma narativa romana. Sopstva i istine junaka romana Davida Albaharija: Pijavice, Cink, Snežni čovek i Mamac interpretativno se čitaju, takođe, za svaki roman ponaosob iz razloga što svaki od navedenih Albaharijevih romana menja uslove (lakanovskog) algoritma u zavisnosti od narativa o identitetskom postojanju u stanju blaženog neznanja, događanja Istorije drugima-od-sebe, identitetskog stanja neprocesuirane Traume Istorije do identitetskog prebivanja u Stvarnosti (imaginarizacije) koja do te mere siluje Imaginarno da subjekat, pripovedač biva primoran na potragu za sopstvenim identitetskim funkcijama u egzilu-iz-sebe.

sopstvo, istina, subjektivitet, identitet, funkcija, algoritam, autobiografska-metafikcija, autobiografska-istoriografija, Trauma, Gubitak.

In the dissertation The (Im)possibility of True Self Formation in Vladimir Nabokov and David Albahari’s Novels, by applying analytical and synthetic, pseudo-comparative and (Jacque Lacan’s) psychoanalytical methods, conceptual and thematic algorithms are being considered in the novels of Vladimir Nabokov: Pale Fire, The Real Life of Sebastian Knight, Look at the Harlequins!, Transparent Things, and David Albahari: Leaches, Tsing, Snow man, Bait, and which, until the production of this dissertation marked within this record as an interpretative statement, have not been the subject of consideration in (Lacanian) algorithmic interpretative code within literature and theoretical discourse. The Selves and truths of the heroes in Vladimir Nabokov’s American novels: Pale Fire, The Real Life of Sebastian Knight, Look at the Harlequins!, Transparent Things are considered interpretatively for each novel separately, since each of Nabokov’s heroes – narrators exist in myriad of different (Lacanian) functions of identity, depending on the set of a novel's narrative (Lacanian) algorithm. The Selves and truths of the heroes of David Albahari’s novels: Leaches, Tsing, Snow man, Bait are read interpretatively, also, for each novel separately, due to the fact that each of Albahari’s novel changes the conditions of narrative (Lacanian) algorithm on identity existence from the algorithm of the state of blissful ignorance, the events of History to others-than-the-Self, identity existence of non-processed History Trauma to the algorithm of identity existence in Reality (imaginarisation) that violates Imaginary to that extent, that the subject is forced to seek Self-identity functions in the exile-from-the-Self.

821.111(73)-31.09 Nabokov V.(043.3) 821.163.41-31.09 Albahari D.(043.3)

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